My Dying Bride - The Angel And The Dark River review
Band: | My Dying Bride |
Album: | The Angel And The Dark River |
Style: | Gothic doom metal |
Release date: | May 22, 1995 |
A review by: | KwonVerge |
Disc I
01. The Cry Of Mankind
02. From Darkest Skies
03. Black Voyage
04. A Sea To Suffer In
05. Two Winters Only
06. Your Shameful Heaven
07. The Sexuality Of Bereavement [digipack bonus]
08. Your River [Live at Dynamo '95] [digipack bonus]
09. A Sea To Suffer In [Live at Dynamo '95] [digipack bonus]
10. The Forever People [Live at Dynamo '95] [digipack bonus]
Disc II [Live At The Dynamo '95 (1996 re-issue)]
01. Your River [live] [bonus]
02. A Sea To Suffer In [live] [bonus]
03. Your Shameful Heaven [live] [bonus]
04. The Forever People [live] [bonus]
After the exceptional and mourning aesthetic of "Turn Loose The Swans" My Dying Bride returned with another opus of emotional intensity and esoteric feelings, "The Angel And The Dark River".
I don't know how the fans of "As The Flower Withers" and "Turn Loose The Swans" expected their successor to be back then, but they were not expecting it to be like "The Angel And The Dark River" for sure, as far as I am concerned. This time My Dying Bride remain heavy and powerful, yet not aggressive. A more fragile and gentle approach is overrunning their sound and this is not something that shines only through the music, but from the vocals as well. Aaron Stainthorpe, the dramatic persona of My Dying Bride, this time chose to express himself only through his wailing clean vocals, pouring his soul to his personal and beauteous lyrics, leaving behind the grunting way of expression and thus lending a more poetic approach to the sound of My Dying Bride.
The guitar work is fabulous with the guitars painting the soundscape "with reddest tears", adorning the sound of the band with their either more powerful or mourning and serene approach. The rhythm section is definitely imposing, evoking the ideal walls of sound in the overall intensity of the atmosphere, and Martin Powell for one more time shows the grandeur of his creativity and genius mind, judging from the heart-rending violin pieces or the nightmarish or dreamy keyboard passages and inspired piano ideas.
And the question still remains, what can someone say about Aaron Stainthorpe's interpretation? If I say that his clean vocals evoke such a doleful aesthetic and the way he interprets his utterly mourning and integral poetry is stunning, unerring and deeply dramatic, my description will be so poor in front of what the listener will cherish from the moment he will start losing himself in the majesty of "The Angel And The Dark River" with Aaron adorning the soundscape in the most appropriate and artistic way. You just have to listen to him interpreting in this pure piece of Art to really get what I mean.
Well, the album consists only of six compositions, yet, believe me, they are enough to fulfill your deepest depressive desires since they are lengthy and utterly inspired at the same time. "The Angel And The Dark River" is one of those albums you listen from the very beginning until the very end simply because it flows as one, as a whole entity, from the long epic "The Cry Of Mankind" to the poetic "From Darkest Skies", the gentle "Black Voyage" to the classical hymn "A Sea To Suffer In" and from the esoteric and heart-rending "Two Winters Only" to the elegiac "Your Shameful Heaven".
"The Angel And The Dark River" is a must-have grieving opus for all the 90s doom metal adorers without any second thought, it's a sparkling jewel in a world of sadness and lachrymose beauty.
"But my tears, they fall for you, only you?"
| Written on 01.12.2005 by "It is myself I have never met, whose face is pasted on the underside of my mind." |
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