Sigh - Graveward review
Band: | Sigh |
Album: | Graveward |
Style: | Avantgarde metal, Black metal |
Release date: | April 13, 2015 |
A review by: | ScreamingSteelUS |
01. Kaedit Nos Pestis [feat. Kelly Simonz]
02. Graveward
03. The Tombfiller [feat. Kelly Simonz]
04. The Forlorn
05. The Molesters Of My Soul
06. Out Of The Grave [feat. Matt Heafy]
07. The Trial By The Dead
08. The Casketburner [feat. Frédéric Leclercq]
09. A Messenger From Tomorrow [feat. Metatron & Niklas Kvarforth]
1 - The Message
2 - Foreboding
3 - Doomsday
10. Dwellers In A Dream [feat. Kelly Simonz & Sakis Tolis]
11. Graveward Suit [Japanese bonus]
12. The Tombfiller [Alternate guitar solo version] [Japanese bonus]
13. The Forlorn [Europe/US original version] [Japanese bonus]
14. The Molesters Of My Soul [Alternate version] [Japanese bonus]
15. Out Of The Grave [Previously unreleased demo version] [Japanese bonus]
16. Dwellers In Dream [Alternate guitar solo version] [Japanese bonus]
Hey, Wintersun. Listen up. You want to know how to make a proper, full-length album with hundreds upon hundreds of tracks over ten songs in only three years without constantly bitching about not having your own private studio/living space/jacuzzi, AND while still challenging both yourself and your fans with a multifarious jewel of avant-garde perfection? Take note, because Sigh have that totally locked down.
From the first brazen assault of guitar solos in "Kaedit Nos Pestis," performed by special guest Kelly Simonz, Graveward sets a frenetic pace and a very high bar. Guitarist You Oshima, replacing Shinichi Ishikawa, steps into his role with electrifying speed and energy, immediately establishing Graveward as one of the most intense and vibrant albums in Sigh's discography and bringing the guitar a bit further to the front than usual. I really liked In Somniphobia, and I am loathe to speak to its detriment, but Graveward sounds much livelier and more colorful - like something trapped in between Imaginary Sonicscape and Hangman's Hymn: Musikalische Exequien. It features heavy orchestration: piercing, staccato Psycho strings and deep, foreboding, Reapers-have-just-entered-the-star-system brass, complemented by fantastic guitar work from Oshima, Simonz, and another guest, DragonForce's Frédéric Leclercq. What band of twisted madmen puts those guys alongside Trivium's Matt Heafy, Shining's Niklas Kvarforth, Rotting Christ's Sakis Tolis, and the enigmatic Metatron all together on one album? The same bunch of magnificent bastards who wrote "Slaughtergarden Suite" and "Hail Horror Hail," that's who.
All this without addressing the contributions of Dr. Mikannibal, whose ever-increasing presence does Sigh no end of favors. Maybe I'm biased as a fellow saxophonist (technically speaking, anyway), but I believe that they have only become stronger as a band since her addition, and the good doctor's plentiful vocal parts on this album overflow with flavor and constitution. With the new addition of the talented Oshima, Sigh are sounding better than ever - the same eerie, thoroughly unorthodox atmosphere and adventurous songwriting, but with a surge of adrenaline.
Graveward has so many layers it would be impossible to uncover them all before its successor comes out, and it feels utterly absurd trying to describe it in anything less than a dictionary-sized analysis - which I guess is where that "dancing about architecture" thing kicks in. Sigh defies description like few other bands, dumping so many genres into one work of art. In any one song, the action moves swiftly between disconcerting, funky, anguished, uplifting, mystifying, jazzy, horrific, and classically transcendent. Alien keyboards, purely haunting vocals, stuttering electronics, bombastic symphonies, and a creeping, metallic edge all melt together into a fantastic experimental wonderland. "A Messenger From Tomorrow" is one of the greatest epics Sigh have ever unleashed, and "Out Of The Grave" manages to be incredibly catchy amongst the thunderous layers of deathly thrashing. Indeed, every song is a highlight, and it almost seems unfair to single out a few individual ones.
Sigh are truly masters of their own sound. Never could they be mistaken for anyone else, nor could they fail to deliver an album fascinating for its density alone. Listening to Sigh is the aural equivalent of what would happen if The Teenage Mutant Ninja Ju-on took place on the ship from Alien, and the future ghost of John Carpenter fused with Bach's evil cyborg twin directed it.
Rating breakdown
Performance: | 10 |
Songwriting: | 10 |
Originality: | 10 |
Production: | 8 |
| Written on 26.04.2015 by I'm the reviewer, and that means my opinion is correct. |
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