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Nevermore - This Godless Endeavor review



Reviewer:
10

1160 users:
8.87
Band: Nevermore
Album: This Godless Endeavor
Style: Heavy metal, Progressive metal, Thrash metal
Release date: July 25, 2005
A review by: Deadsoulman


01. Born (The Retribution Of Spiritual Sickness)
02. Final Product
03. My Acid Words
04. Bittersweet Feast
05. Sentient 6
06. Medicated Nation
07. The Holocaust Of Thought [feat. James Murphy]
08. Sell My Heart For Stones
09. The Psalm Of Lydia
10. A Future Uncertain
11. This Godless Endeavor
12. Engines Of Hate [live] [Japanese bonus]
13. Beyond Within [live] [Japanese bonus]

They did it again. I assume this album was highly expected by about everybody who likes Nevermore. Those who hated the bad production and more straightforward thrash direction of Enemies Of Reality were probably hoping for Nevermore to take a step backwards and come back to more complex and subtle songwriting (although a few tracks such as "I, Voyager" were indeed complex). Those like me who liked Enemies Of Reality in spite of all its blatant little flaws wished they would not leave this new 'brutal' identity aside. I think This Godless Endeavor has the qualities to reconcile us all: Nevermore created again a great album, using bits of everything that made so famous and in the end released maybe not their best album - this is left to the appreciation of all of you - but, for me, the album of the year.

This Godless Endeavor starts out with a very strong opener. "Born" begins with a thrash/death riff and aggressive vocals of Warrell Dane before mutating into a power thrash song with a very melodic chorus that opens a whole landscape of new, unsuspected emotions. Final Product is probably the weakest song here, I just don't understand why they chose it as the first single. Understand me, it is not a bad song but somehow it doesn't match the greatness of the rest.

Anyway, this album is mind-blowing all along. The technical level of musicianship is extremely high. We all know that Jeff Loomis is a great guitar player, but with the adjunction of Steve Smyth things become even more impressive. Just listen to their amazing performance on the closing track, the epic "This Godless Endeavor", and you'll realize the band has finally found the greatest pair of guitarists they were rightfully hoping for. This song only justifies the purchase of the album. Everything Nevermore have to share with their fans can be found there, from arpeggios to furious thrash riffing, to mid-paced breaks and crystal clear vocals.

It has to be said that Warrell Dane's work on this album is probably his best so far. It might not be his most technical performance, he doesn't really use his high-pitched voice anymore, but I've never heard him so full of emotion (e.g. on "Sentient 6", the lines 'My children you are my army' and 'And their skies cry Mary' are heartbreaking and give me gooseflesh every single time I hear them). Speaking of ballads, "Sentient 6" and "Sell My Heart For Stones" are to be ranked up there with the likes of "Believe In Nothing", "The Heart Collector" and "Dreaming Neon Black".

And when Nevermore accelerate the pace, it is only to create the neck-breaking opening riff of "The Psalm Of Lydia". Everything they've touched on this album has turned to gold, be it the infernal heaviness of "Bittersweet Feast" and "A Future Uncertain" or the more desperate tunes of "My Acid Words" and "Medicated Nation". Again, the title track is so brilliant that there are no words to express it.

Even if I've tried to wait a few months before reviewing this album in order to let my first amazed feelings fade and thus to be able to propose a comparatively fair and objective review, I still can't find any flaw in This Godless Endeavor. Everything is so brilliantly done, so catchy and complex at the same time, that I now consider Nevermore to be part of the thrash metal hall of fame. I've not heard such excellence and perfection in music very often: This Godless Endeavor is indeed my favourite album of the year, which is why I rate it 10.

Highlights: Born, Bittersweet Feast, Sentient 6, The Psalm Of Lydia, This Godless Endeavor

Written by Deadsoulman | 16.12.2005




Comments page 2 / 2

Comments: 36   Visited by: 496 users
12.08.2010 - 20:08
Rating: 10
Angelic Storm
Melodious
Written by Marcel Hubregtse on 12.08.2010 at 19:20
Enemies Of reality is only good when you have the remastered/remixed version cause the original one is totally spoiled by the horrendous production.

I only own the original cd, and have never even heard the remaster. lol Ive heard a lot about the original production supposedly being awful, but it doesnt sound bad to me. Ive certainly heard albums with far worse production. But Id like to hear the remastered version just to see if it really is that much better.
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14.09.2014 - 17:17
Tomas Piller
What an amazing music. Too bad for me i CAN'T stand the vocals, so sorrowful and powerless.
When listening to the album i see the singer harassed, lost and tired in the middle of a mighty thrash storm. Such an imbalance...
There's still a chance it can grow on me.
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14.09.2014 - 22:03
!J.O.O.E.!
Account deleted
I heard Warrel Dane's voice described as a lot of things but "powerless" was never one of them.
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24.09.2014 - 12:23
Deadsoulman
Elite
Written by deadone on 15.09.2014 at 02:01

Written by Marcel Hubregtse on 12.08.2010 at 19:20


Enemies Of reality is only good when you have the remastered/remixed version cause the original one is totally spoiled by the horrendous production.

I only have the original and enjoy it thoroughly. The original production is not that bad IMO.

I didn't think it was that bad either until I heard the remaster. Because there's actually A LOT of little things going on in the background, like little twists and arrangements, vocal layers and harmonies, etc., that you can't hear on the original. The remaster sounds way more complex.
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22.12.2014 - 07:29
Darth Revan
So is it just me or does the vocalist here have a really bad lisp. Is that just an issue with the production?
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23.08.2024 - 00:59
Rating: 10
BlankFile
Absolute perfection.
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