Blut Aus Nord - Memoria Vetusta I - Fathers Of The Icy Age review
Band: | Blut Aus Nord |
Album: | Memoria Vetusta I - Fathers Of The Icy Age |
Style: | Atmospheric black metal |
Release date: | 1996 |
Guest review by: | Oaken |
01. Slaughterday (The Heathen Blood Of Ours)
02. On The Path Of Wolf... Towards Dwarfhill
03. Sons Of Wisdom, Master Of Elements
04. The Forsaken Voices Of The Ghostwood's Shadowy Realm
05. The Territory Of Witches / Guardians Of The Dark Lake
06. Day Of Revenge (The Impure Blood Of Theirs)
07. Fathers Of The Icy Age
After a while of listening to nothing but black metal, you probably start feeling bored of the whole thing. The minimalistic, repetitive tremolo riffs, the non-stop blast-beating and the crazy guy screeching undecipherable craze. To this problem, though, there is a solution, or two to be exact. You can stop listening to black metal for a while and then come back when you need your misanthropy fueled, or you can give Blut Aus Nord's Memoria Vetusta I (Fathers Of The Icy Age) a shot. There is a big chance that it will change the way you perceive black metal.
Blut Aus Nord don't always play straightforward black metal (they like flirting with industrial stuff), but when they do, they really own. Memoria Vetusta I is a monster of a black metal album with its relentless, eerie yet beautiful riffs, which are played in a jaw-dropping, echoing tone of the highest quality. The bass is not so prominent, but it gets the job done, and the drum machine delivers some great beats. The vocals remind me of older Abbath, which is never a bad thing.
Atmospherically-speaking, this is the best black metal album you can think off. The guitar riffage is very catchy, masterfully done, innovative and totally ahead of its time. It mixes well with the other instruments on the album, and conjures an atmosphere of longing, sadness, and melancholy. Combined with those Blut Aus Nord-exclusive guitar leads, choir chants and keyboard passages, you will be amazed. Take my word, this will blow you away. Not sure about that? Listen to the riff at 4:02 from "The Forsaken Voices of the Ghostwood's Shadowy Realms" and the riff at 2:50 from "The Territory Of Witches".
Blut Aus Nord's Memoria Vetusta I is one of those albums that don't have any big flaws, and are very close of not having any minor mistakes. The production is perfect (the guitar tone is), the length is very appropriate and the songs are quite easy to tell apart. The closest thing to being a flaw on Memoria Vetusta I is actually the use of a drum machine. I think real drums would have been better. And since this is black metal then I think the bass issues can be forgiven.
Lyrically-speaking, this album is quite creative. Back in 1996, while many bands were still busy worshiping Satan, Blut Aus Nord were writing some mythological material with a deep meaning. Not a single song falls behind the others; the tracks are strong as individuals. "On The Path Of Wolf? Towards Dwarfhill" is a fine song to start with. Finally, as a summary, I have to say that you must be hanged if you are a black metal fan who hasn't listened to this magnum de opus. And I've got my eyes on the normal metalhead who has overlooked this gem, too.
Rating breakdown
Performance: | 9 |
Songwriting: | 10 |
Originality: | 9 |
Production: | 10 |
Written by Oaken | 12.04.2012
Guest review disclaimer:
This is a guest review, which means it does not necessarily represent the point of view of the MS Staff.
This is a guest review, which means it does not necessarily represent the point of view of the MS Staff.
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