Ah yes. That bug was fixed a while ago. But all these albums need to be re-saved iirc. Starvynth might remember that better, he is usually holding my hands during these fixes as I don't work with the database a lot.
For me it's the best jpop album I have heard in a while
I'll have to give it more time, but it sounds much more dated already than the previous stuff. I don't get the unappealing EDM beats (wtf is up with FUSION, or the chorus of If you wanna!?). The songwriting also feels uneven, with plenty of mid-paced, fairly vanilla songs that are far from the hyper ecstacy that made them stand out. I like Future Pop, and TOKYO GIRL is quite nice, but the rest of the first half I could do without. I'll grant that tracks 8-12 seem to pick up a bit, but they too suffer from inexplicably boring production and those dumb, heavy-handed beats (I don't know how to classify them since I don't listen to that kind of electronic, but they seem to stuff almost every song with them).
I dunno. For a producer specifically known for pure sonic bliss, this seems oddly dull.
I am pleased with the new Kyary Pamyu Pamyu. Nothing we haven't heard before, but it's a nice sound:
I think Low's new electronic/glitchcore(tm) Double Negative is their most interesting album in a long time and one of the best. They've always been reinventing themselves subtly, but now they did something really out of the left-field.
Never really listened to mewithoutYou before, and generally I find American indie/post-hardcore a very hit-or-miss genre, but the new [untitled] is a hell of an album. There's music you like because the style is right up your alley, and then there's stuff where the songwriting just wins you over. (Sure, there's some of the laconic melancholy of 90s stuff like Codeine or Hum here, even if the sound isn't the same, so it's not totally out there for me.)