Agalloch - Ashes Against The Grain review
Band: | Agalloch |
Album: | Ashes Against The Grain |
Style: | Neofolk, Atmospheric black metal |
Release date: | August 08, 2006 |
Guest review by: | strade |
01. Limbs
02. Falling Snow
03. This White Mountain On Which You Will Die
04. Fire Above, Ice Below
05. Not Unlike The Waves
06. Our Fortress Is Burning... I
07. Our Fortress Is Burning... II - Bloodbirds
08. Our Fortress Is Burning... III - The Grain
09. Scars Of The Shattered Sky (Our Fortress Has Burned To The Ground) [Double LP Vinyl 1000 Copies Limited Edition bonus]
Agalloch's Ashes Against The Grain. Never have I found another release I love so much yet feel so unsatisfied by. There's so much here, yet it feels as if so much is missing. It's so spot on, but I just don't find it a flawless or even exemplary demonstration of the genre in question. I'd call it the perfect musical embodiment of a love/hate relationship. With that said, however, I must admit that I feel a far greater abundance of the former than the latter.
A little background: by all counts, Agalloch is one of my favorite bands ever. There's no getting around that. No supernatural entity knows the number of times I've lost myself to the beautiful, ethereal ebb and flow of The Mantle, a work which stands head and shoulders above 99.99% of all musical endeavors be they metal or otherwise. Other works such as Pale Folklore, The White EP, and Marrow Of The Spirit (yes, even that one) each ascended to varying but always comparable levels of enveloping grace, at least to my ears. Discounting the universally maligned and inherently worthless Grey EP and praising the nice Of Stone, Wind And Pillar, only one piece remains...
2006's Ashes Against The Grain, a release met with no small amount of fanfare, is the enigmatic black sheep of the Agallochian family. Largely abandoning the acoustic, folk-dominated leanings of The Mantle, Ashes takes on a primarily sleek and electric sound replete with post-rock and atmospheric black metal nuances. Luckily, the band's penchant for creating melancholic melodies and torrents of emotional power has not diminished in the transition. In fact, for roughly two-thirds of the dark proceedings included, Agalloch succeeded not only in the way of creating a poignant, highly entertaining album, but also in making a worthy successor to a record that's just about flawless in every way.
Unfortunately, lurking beyond the opening run of excellence is the anticlimactic, wandering mess of Our Fortress Is Burning, a multi-part lesson in excess concerning how not to write an epic anthem. For a twenty minute composition, it feels far too empty and far too short on ideas. Part 1 attempts to capture some of The Mantle's acoustic magic but ends up sounding like an uninspired, half-baked outtake of Odal or The Hawthorne Passage, and Part 3 presents a boring and overlong loop of distorted noise. Only Part 2 brings any quality to this bitter brew, albeit slightly with its pleasant, distinguishable melody. The sole vocal sequence is a good one, but feels manufactured as if deliberately created to provide an apparent emotional crest to the overall composition.
Apart from this interminable misstep, I can't help but feel that sometimes the album loses its focus midway through, lessening the memorable quality of its individual tracks. Fire Above, Ice Below is an example, starting out beautifully until it voyages into more expansive (but less interesting) pastures. Also, brief interlude This White Mountain On Which You Will Die seems to serve no better purpose than a filler for the track-listing.
Even with this cumbersome list of gripes, though, I do still love Ashes Against The Grain and think that it's a great album. My appreciation of it has actually raised from total disappointment and apathy to an acceptance of its flawed brilliance. After all, I would be remiss not to note that it includes some the band's best songs, including the harrowing opener Limbs, the resonant Falling Snow, and last but certainly not least, the simply incredible Not Unlike The Waves. I could go on for another six paragraphs simply describing how great that one song is, but I'll spare the (at this point) inevitably ailing readers; you've heard it all before. Furthermore, I can still bear to listen to the album front to back and enjoy it for a vast majority of the sixty minutes within, so that must count for something, right?
To cut a long story, well, long, I think this album's overrated; not extremely so, but considerably nonetheless. I can only hope that my review is seen as less of a contrarian, try-hard rant and more of a down-to-earth attempt to justify a belief that continues to reward me with harsh ridicule and antagonism, both on the internet and elsewhere:
Ashes Against The Grain is Agalloch's worst album.
There, I said it.
Rating breakdown
Performance: | 9 |
Songwriting: | 8 |
Originality: | 8 |
Production: | 9 |
Written by strade | 11.03.2012
Guest review disclaimer:
This is a guest review, which means it does not necessarily represent the point of view of the MS Staff.
This is a guest review, which means it does not necessarily represent the point of view of the MS Staff.
Rating:
8.9
8.9
Rating: 8.9 |
In today's world of overplayed musical styles and boring sameness, a few bands stand out as innovators. Agalloch from Portland, Oregon is one of those bands. With their unique blend of Doom, Gothic and elements of Death metal, those musicians managed to break through the US scene with the highly-acclaimed album The Mantle back in 2002. The band witnessed the arrival of Chris Greene taking over drumming duties for John Haughm (who remains very busy with guitars and vocals) while the rest of the lineup is still rounded up by Jason William Walton (bass) and Don Anderson (guitars). Read more ›› |
Rating:
10
10
Rating: 10 |
The god of man is a failure indeed. Read more ›› |
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