Monster Magnet - Milking The Stars: A Reimagining Of Last Patrol review
Band: | Monster Magnet |
Album: | Milking The Stars: A Reimagining Of Last Patrol |
Style: | Stoner metal |
Release date: | November 14, 2014 |
A review by: | Auntie Sahar |
01. Let The Circus Burn
02. Mindless Ones '68
03. No Paradise For Me
04. End Of Time (B-3)
05. Milking The Stars
06. Hellelujah (Fuzz And Swamp)
07. I Live Behind The Clouds (Roughed Up And Slightly Spaced)
08. Goliath Returns
09. Stay Tuned (Even Sadder)
10. The Duke (Full On Drums 'N Wah)
11. Last Patrol [live]
12. Three Kingfishers [live]
What is a "reimagining," exactly? In the case of Monster Magnet, it means just what it seems to be implying: a reinterpretation of a previous work, taking a fresh lens of perspective to it and going all out from there. Thus, Milking The Stars is not a new album, at least not as we would typically understand the term. But in many ways it might as well be.
The idea at work with Milking The Stars was essentially to make the album sound more old school, more retro, and like it was released in the late 60s/early 70s, when the type of music Monster Magnet produce was peaking. This goal is accomplished here not only with the Last Patrol rewrites, but also particularly with the (new!) opener "Let The Circus Burn." Easily one of the most psychedelic tracks that the band has done in years, this one in particular goes a long way towards recapturing the trippy acid rock feel of their earlier material, especially the Tab EP. Perhaps this is part of what makes it so powerful, as in my listening experiences, bands who've been around for a while making call backs to their earlier work (almost) always ends up working out well.
And what about those 6 Last Patrol rewrites, the prime focus of the album? To counter those who may be finding this whole Milking The Stars thing unnecessary, there are legitimate differences between their execution here and that on Last Patrol itself, and they range from the subtle to being outright explicit. The most noticeable changes here appear to be an overall enhanced use of keyboard and organ ("Mindless Ones '68"), fuzz and wah effects ("The Duke"), and acoustic guitar ("Hellelujah"). Though perhaps slight, most of these alterations do indeed work wonders towards creating a great classic rock sound (if Monster Magnet didn't have enough of one already). I'm no audio expert, but Dave Wyndorf definitely succeeded with whatever formula he was trying out here, and the production is without question the most delicious aspect of this release.
When the plan for Milking The Stars was first announced, I (and imaginably others as well) scratched my head and asked what the point was. But now, after a few good playthroughs with it, I can sincerely say that there is one, and it's well executed at that. I would advise anyone who's been following these guys for a while to sit down whenever they get the chance, and spin Last Patrol and this album back to back. You will quite likely see the difference, and maybe, like me, the experience will pique your interest for more reimaginings from Monster Magnet.
Comments
Comments: 15
Visited by: 174 users
afu Posts: 260 |
tea[m]ster Au Pays Natal Contributor |
Ilham Giant robot |
tea[m]ster Au Pays Natal Contributor |
Ilham Giant robot |
Auntie Sahar Drone Empress |
Auntie Sahar Drone Empress |
Auntie Sahar Drone Empress |
Ilham Giant robot |
Auntie Sahar Drone Empress |
Ilham Giant robot |
qlacs "The Quaker" |
Noncorpus |
afu Posts: 260 |
afu Posts: 260 |
Hits total: 6517 | This month: 33