Fangtooth - Fangtooth review
Band: | Fangtooth |
Album: | Fangtooth |
Style: | Doom metal |
Release date: | March 28, 2011 |
A review by: | BitterCOld |
01. The Eye Of God
02. Rise Again
03. Father
04. In Depths We Lie
05. Martyr
06. Cry Of The Nephilim
Well, Solitude Productions has sent me an embarrassment of riches. A lot of stuff I've enjoyed, and that has spurred my outburst of reviews this year. Sadly, Fangtooth don't live up to the standards set by the rest of the stack of disks they've sent my way.
Consider the rest the riches, this the embarrassment.
The band hail from Italy and play traditional doom metal... the likes of early Candlemass or Trouble. Doom, like most genres of metal, is guitar/riff driven. These guys do have riffs. Lots of good riffs can be found throughout this release. Not only are the riffs pretty freaking cool, the guitar tone is pretty groovy as well. They will rock you. So from that aspect they are doing well.
The problem is, well, it's been done before. Oh, and the guitarist seemingly went to the Kerry King Institute For People Who Don't Want To Solo In Key And Want To Riff And Do Other Guitar Stuff Good Too (our founder!). While his riffs and crunch are great, a good chunk of his solos are cringe-inducing. Nice chops, but some of the bends just seem horribly awkward. I'm partially deaf (tone and legitimate), so if it sounds off to me, the guitar nerds of you will likely find it way off.
The bassist and drummer do their jobs admirably, contributing to the groove and push of the riffing, and holding fort for the soli. If judged solely on jam-factor (minus solos), this would be a good album. However there is more to it than just jam.
Then we come to the vocals. I am not terribly sure, but I believe the gentleman is shooting for Messiah Marcolin here. Unfortunately it comes across as more Jello Biafra (Dead Kennedys to the uninitiated, and he was good for performance art... not good for, well, professional art). The vox are mediocre at best, to be polite. They make me long for the likes of a *cough* Lee Dorian *cough*. And they are down right disastrous at points when he attempts to kick it to King Diamond Falsetto Mode. Kudos to the dude for trying... but I learned my lesson and limited myself to Sinatra Karaoke years ago. There is a reason, as horrible a human being as I am, and as much as I dig the doom, I ain't fronting a doom band. I cannot get the job done.
When doomdance comes to doomshove, I'd score this album a full point and change better without the solos and vocals... Good riffs and jam, sadly made considerably less enjoyable by more than a fistful of cringe-worthy moments. Of course, opinions are like assholes... everyone has got one and mine is bigger than yours... other folks on other sites have scored this album much higher than I, so perhaps I missed the boat. If you dig trad doom, check it out and formulate your own take.
Rating breakdown
Performance: | 6 |
Songwriting: | 7 |
Originality: | 5 |
Production: | 6 |
| Written on 02.05.2011 by BitterCOld has been officially reviewing albums for MetalStorm since 2009. |
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