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Scar Symmetry - Holographic Universe



8.6 | 534 votes |
Release date: 20 June 2008
Style: Melodic death metal, Progressive power metal

Owners:

655 have it
57 want it
2 trade it


01. Morphogenesis
02. Timewave Zero
03. Quantumleaper
04. Artificial Sun Projection
05. The Missing Coordinates
06. Ghost Prototype I - Measurement Of Thought
07. Fear Catalyst
08. Trapezoid
09. Prism And Gate
10. Holographic Universe
11. The Three-Dimensional Shadow
12. Ghost Prototype II - Deus Ex Machina

Top 20 albums of 2008: 14

Line-up
Jonas Kjellgren - guitars
Henrik Ohlsson - drums
Christian Älvestam - vocals
Kenneth Seil - bass
Per Nilsson - guitars

Additional info
Recorded and mixed by Jonas Kjellgren and Scar Symmetry in Black Lounge Studios, Avesta, Sweden.
Mastered by Tommy Johansson at Panic-Room Mastering, Skövde, Sweden.

Front-cover artwork and album layout by Patrick Wittstock.
Inner-sleeve photography by Olle Carlsson.
Scar Symmetry logo by Pär Johansson.

Guest review by
Valaskjalf
Rating:
9.4
Theme-wise, Holographic Universe is a continuation of Scar Symmetry's exploration of 'time and space' and which also turns out to be vocal extraordinaire, Christian Älvestam's swansong with the band.

At face value the album sleeve compliments the title of the album well, the music and lyrics are very well integrated within the entire concept of the album and in turn beautifully incorporated within the artwork.

Read more ››
published 09.10.2009 | Comments (17)

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Comments

Comments: 9   [ 2 ignored ]   Visited by: 831 users
29.01.2012 - 17:10
BanksD
Account deleted
Easily my favorite album of all time.
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03.06.2012 - 06:00
GrayWiZZarD
Account deleted
Amazing MUSIC... and MORPHOGENISIS brought tears to my eyes
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31.05.2016 - 09:48
Rating: 9
Necrodamus
Man I love this album. No matter how many times I've listened to this, it doesn't seem to get old or lose any steam. I just love how the keys blend with the riffs on so many of the songs...but Christian's voice is possibly the best part about it. Does anyone else hear the Devin Townsend influence in the title track?
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01.06.2016 - 08:30
Rating: 9
Necrodamus
Quote:
Ty for commenting and reminding me this existed. This is one of those bands where I honestly can't tell whether I think they're great because they are or because of blinding nostalgia. What I do know though is that Christian slays. Shame there's not much audible footage of him live with this band.

The new stuff is actually very good and I think they're going in the right direction. Per Nilsson's guitars are still killer, and the two vocalists have vastly improved since they came in. I know this though: to hear them live with Christian must have been an otherworldly experience, I'm so pissed I never got that chance...
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01.06.2016 - 10:11
Rating: 9
Ganondox
Written by Necrodamus on 31.05.2016 at 09:48

Man I love this album. No matter how many times I've listened to this, it doesn't seem to get old or lose any steam. I just love how the keys blend with the riffs on so many of the songs...but Christian's voice is possibly the best part about it. Does anyone else hear the Devin Townsend influence in the title track?

In the chorus, right? It does sound like the chorus to one of his songs.
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01.06.2016 - 10:46
Rating: 9
Necrodamus
Quote:
In the chorus, right? It does sound like the chorus to one of his songs.

Actually more so in the intro of the song, which sounds a lot like what Devin has done on his earlier solo albums (the song Truth, in particular). But I do hear some resemblance in the chorus as well. Either way, it was just a nice thing to hear when I listened to it the other day.
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16.09.2020 - 20:32
Rating: 7
sgtrobo
There is a certain similarity between this and Buried in Oblivion (Into Eternity) in that they do a job of mixing incredibly technical thrash/death metal with growls and gutterals with very melodic cleans.
Here, the cleans sound almost like 80s hair metal, whereas the Into Eternity cleans sound more like Fates Warning.
Some of the cleans here are extremely cheesy, but when this album is on point, it is absolutely incredible
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05.11.2020 - 17:28
Rating: 9
chomskeet
There are very very few "pop metal" albums I ever listen to and this is actually one of the only ones I've ever liked. Some may take offense to this label but I think it's 100% apt. This isn't particularly original, complex, innovative, or forward thinking, but it is catchy af. I'm very particular when it comes to clean vocals, usually I hate them, however, if I like them the range is an important factor (eg Protest The Hero, Into Eternity, Galneryus), The singer here is really great if you happen to like that high pitched (yet non falsetto) mega range. When it comes to music like this it's all about how listenable it is, and I have to say that this is one of the most listenable albums of all time. If I have non-metal or "basic metal" people in the car I know I can put this on and they're not going to hate me. This is also a great album if you have someone trying out metal and you want to trick them into the genre as it's extremely accessible. All that being said, this is a bit like going to Taco Bell, you hate yourself for liking it, but damn, you know what you're getting and there's something about that regular ass fake meat soft taco that's hard not to like.
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11.01.2021 - 10:41
Rating: 10
Kuroboshi
Have had a Scar Symmetry throw back the last few days. And this album, it's just, one of the best albums of all time. Melodeath doesn't get better than this.
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