Forgotten Gems of Old School Death Metal
Written by: | Alex F |
Published: | December 06, 2014 |
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Aeternus - Beyond The Wandering Moon Taking cues from both black metal and melodic death metal, Aeternus create a rabid yet hauntingly melodic death metal masterpiece with their debut. Each song ebbs in and out of full on assault and melodic serenade so seamlessly it entrances and captures the mind of the listener. Each riff represents a different turn on this walk through the woods. The vocalist's performance is of notable quality, utilizing primarily a deeper guttural than many black influenced death metal artists. This impressive work, coupled with a clear yet adequately layered production, creates an album that is at times majestic and often bludgeoning, but never uninteresting. It is truly an album unjustly treated by time, and is deserving of your attention. | |
Antropomorphia - Necromantic Lovesongs Antropomorphia's 1992 EP is among the most technically impressive I have heard. The bass seems to take the lead in the recording, often prefacing songs with the melody as the rest of the band joins in. The impressive qualities of the instrumentation are only further embellished upon with some of the most varied songwriting present in an early '90s death metal album. Utilizing melodies that often befit a Dark Tranquility record, Antropomorphia develop an atmosphere that is very inviting but does not sacrifice brutality nor the raw production that makes much of early death metal unique. | |
Carbonized - Disharmonization To piggy-back off of the very last word in the Antropomorphia description, unique is the most appropriate way to describe Carbonized. Decades ahead of their time, they play a quizzical form of avantgarde death metal which relies on subtle melody, occasional dissonance, and simply unheard-of song structures. Clean vocals make appearances on most songs, and strengthen the very puzzling atmosphere Carbonized seem to aim for. They never linger on a riff for very long, and prefer to jump in and out of bouncy bass-lines, densely layered verses, and monumentally crushing barrages of blast-beat lead assault. | |
Decomposed - Hope Finally Died? One of the oldest death-doom albums I love is Hope Finally Died. The use of slowly building minimalist riffing with melodic leads on top manifests a dense fog that you cannot help but want to explore. As the intensity builds the fog slowly fades, leaving you in a bleak and desolate landscape; and just like that, the speed picks up and Decomposed release an onslaught of tremolo-picked riffage and blast-beats. As the darkness intensifies Decomposed play the soundtrack to your inevitable end, slowing down to a quasi-groove, but not enough to lose the momentum built. | |
Forgotten Silence - Thots Utilizing what appears to be an organ and complex song structures, Forgotten Silence present themselves as talented musicians with an obvious understanding of what death metal should sound like. The band will flow through intense riffing and vocals, creating a dense wall of sound, only to finally land on gently-sung female vocals and more intricate melodies. Accompanied by relentless drumming which never allows the album to lose its pace, Thots hurdles along a scenic highway, taking short rest stops to take in the magnificent landscapes, only to jump back in the car and race down the road to its inevitable end. | |
Gladiator - Designation Probably the most "fun" album on this list, Gladiator lay out in Designation a ripping style of thrash-influenced death metal that seems to have vanished in terms of quality from the modern world. Their style of riffing is very disjunct at times, rapidly switching in and out of time signatures at points, creating an almost mechanical feeling throughout the album. The vocalist's harsh and raspy voice suits this style very well, and what he lacks in range he makes up for in intensity. Solos line each song and nearly always speed up the tempo as each song closes in what seems like a barrage of instrumentation. | |
Gorement - The Ending Quest Downtuned, dark, and completely devoid of joy; The Ending Quest will suck the life out of you and pummel you to a pulp, leaving you broken and hollow. Guitars lay out the foundation for your demise, singing a mournful tune of clear melodies. Each song seeps into your ear canal with these haunting melodies, giving a false sense of security. Once inside, Gorement unleash hell, and with raw terror, unchain the beast they have been hiding. Deep, brooding growls grab you by the neck and the pummeling rhythm section lets loose, giving you the beating you knew was coming, but couldn't resist. | |
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Mangled Torsos - Drawings Of The Dead Mangled Torsos are much more upfront about their violent tendencies. Drawings Of The Dead is a vile creation in the underground death metal scene. Intense and varied drumming styles beat you senseless as the vocalist laughs maniacally with his completely deranged gutturals. The guitars are, as is with most death metal, the shining point on this album. These instruments play such pain-filled melodies, it is a surprise when they have the strength to completely "turn the volume to 11" and desecrate your now lifeless corpse. It's bleak, it's miserable, and it's frighteningly disregarded. | |
Pan.thy.monium - Dawn Of Dreams Pan.thy.monium are one of the most puzzling bands to understand. Dawn Of Dreams runs for about 45 minutes, 22 of which are taken up by the first song. Regardless, it becomes instantly obvious after hitting play that this band is not to be underestimated. A floating-feeling synth lifts the guitars through the clouds and drenches the album in sunlight. In contrast with every other album on this list, Dawn Of Dreams feels hopeful. This does not, however, detract from the intensity of the instrumentation, but rather serves to separate the band from the average 90s death metal to which we've all become accustomed. | |
Phlebotomized - Immense, Intense, Suspense Immense, Intense, Suspense is one of the most unique albums ever to grace my ears. Using heavy orchestration to play a somber melody over rawly-produced riffs and savage drumming, Phlebotomized weave for us an intricate web of death metal mastery. Masters of songwriting, each track strays from standard song structures in favor of a more organic progression of their sound to appropriately utilize the range they clearly possess. Switching between mournful cleans and vicious mid-range growls, as well as slow, more melodic sections and upbeat headbanging portions, Phlebotomized cover all grounds with this album. Immense, Intense, Suspense is the most obvious example of the fact that digging for lesser-known music is worth the effort. |
Guest article disclaimer:
This is a guest article, which means it does not necessarily represent the point of view of the MS Staff.
This is a guest article, which means it does not necessarily represent the point of view of the MS Staff.
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