Written by Guest on 31.03.2015 at 21:11

Nightmare is cheesy as all hell, easily the worse song on the album. Except when King goes "YOU'RE ONLY LIVING... ON BORROWED TIME!"

To be fair, everything that King does is cheesy as hell

I can see why the vocals could totally up people off, and I don't think it's all that sinister, but to be honest I don't listen to it for sinister-ness. A Dangerous Meeting, Desecration of Souls and Night of the Unborn have some great riffs and grooves with some really ace vocals, the main riff in The Oath is just killer, and Gypsy is fun as hell. I've definitely come to prefer this one to Melissa, which suffers for me in having its strongest material clustered in the first half, whilst this one at least has Gypsy and Come To The Sabbath later on.

Was inspired to listen to it again, argh Nightmare is such a great song in terms of riffs, structures, solos and those really cool "wooahohoaahohoooh wooahoohaaaohah" bits towards the end, and then there's those stupid "you're insane" playground chants that fuck up enverything.

Ah man I'm pretty sure if I had to take only one album from every genre to some desert island this would be my heavy metal album (although Abigail and Iron Maiden might debate that), thankfully I am on the love side as far as the marmite vocals go, the song structures are great and there's enough killer grooves and interesting solo work that anytime I get burned out of guitar riffs and solos I'm sure I can use this album to re-energise.

And finally, even He-Man digs Gypsy:

Written by musclassia on 01.04.2015 at 20:04


And finally, even He-Man digs Gypsy:

Hahahaha very good

Best metal album ever!!!!!!!!!!!

I think Melissa is a great album, but I actually like Don't Break The Oath quite a bit more. This is one of the all-time greatest metal albums for sure, for its songwriting alone. As a relatively young person born in 1989, I can only imagine how much more influential and impressive it must've been back when it was released. A 10/10, no mistake.

Also, the vocals are absolutely perfect for this type of music.

One of the best metal albums ever. The songwriting and the riffs are just flawless. My only issue here is King's vocal performance, which hadn't matured yet at this point. Regardless, Don't Break the Oath is the creme de la creme of its kind, a desert island record, masterpiece and must own for everybody. If there are any other positive superlative words I'm missing, it's everything that and more.

Written by Metal Rabotnik on 28.11.2020 at 00:03

If there are any other positive superlative words I'm missing, it's everything that and more.

I guess there cannot be many.
For me only slightly outperformed by Melissa.

It's a trully brilliant and timeless album, ahead of its time, the beggining of black metal with some dark lyrics.

i will still be listening to this when i hit my 80's (that if i ever grow so old lmao)

This album is a true classic, and so was Melissa, but I slightly prefer this one only because it contains some of my favourite songs by MF, which are Come to the Sabbath, Dangerous meeting, Gypsy and The Oath.

What stood out most for me was the guitar solo's by La Roque, which were outstanding, also the great old school heavy metal riffs, and I enjoyed the sinister lyrics, even if at times they came across as bit cheesy, but Ķing Diamond has such an incredible and unique vocal range, that hw can pull it off, to me he is one of the most talented vocalists in metal.

I need to start listening to their later stuff as I've only heard the first two MF albums. I also need to listen KD solo albums as I've only heard Abigail, which really impressed me, if anyone has any recommendations?

Written by AndyMetalFreak on 06.04.2021 at 18:32

if anyone has any recommendations?

I am not a big fan of KD's vocals but all the albums up to -and including- The Eye are very good. For MF, I cannot say because I haven't paid much attention to the '90s albums.

Incredible catchy guitar-work complement the eerie screams of the legendary King Diamond to fulfill these sinister, satanic anthems!

I'm not sure if I prefer this or Melissa. I suppose that the songs here are more expertly composed, but I think Melissa as an album flows a bit better.

Either way, both of these Mercyful Fate albums are extraordinary! It's a shame that the band broke up after this great run. King Diamond's solo project is also good, but less intense and thrashy as early Mercyful Fate

It's hard to choose favorites here, but I especially like the songs: A Dangerous Meeting, The Oath, Come to the Sabbath, Desecration of Souls, and Gypsy, although all of the songs are fun

^ Now I want to find some time to listen to both Mercyful Fate and some King Diamond albums.

Written by JoHn Doe on 14.01.2022 at 15:54

^ Now I want to find some time to listen to both Mercyful Fate and some King Diamond albums.

Have fun! I was introduced to King Diamond through "A Dangerous Meeting" (in summer of 2020 I think?). I really liked that song, but I didn't like the vocals enough to explore more other than "Welcome Home" off of his album Them.

Early this week, walking in the freezing, foggy morning over the university campus, I decided to turn on Mercyful Fate's Melissa. I wasn't too fond of the vocals but I loved the riffs - and I was blown away by the epic "Satan's Fall". After finishing the album, I listened to it again - and again. Each time it got better and I enjoyed the funny vocals more.

Then I checked out Abigail from his solo project. I first wasn't too impressed, but after a couple of listens I really enjoyed the elegant melodic riffs by LaRocque.

After that, I listened to all of Don't Break the Oath and it was great! I loved returning to the more aggressive style that was introduced on Melissa - and now perfected here!

So yeah, I just binged those three King Diamond classics in a couple of days and have not regretted one bit! The melodies and singing are stuck in my head, and I'm ready to explore some more King Diamond!

Written by F3ynman2000 on 14.01.2022 at 18:39

Written by JoHn Doe on 14.01.2022 at 15:54

^ Now I want to find some time to listen to both Mercyful Fate and some King Diamond albums.

Have fun! I was introduced to King Diamond through "A Dangerous Meeting" (in summer of 2020 I think?). I really liked that song, but I didn't like the vocals enough to explore more other than "Welcome Home" off of his album Them.

Early this week, walking in the freezing, foggy morning over the university campus, I decided to turn on Mercyful Fate's Melissa. I wasn't too fond of the vocals but I loved the riffs - and I was blown away by the epic "Satan's Fall". After finishing the album, I listened to it again - and again. Each time it got better and I enjoyed the funny vocals more.

Then I checked out Abigail from his solo project. I first wasn't too impressed, but after a couple of listens I really enjoyed the elegant melodic riffs by LaRocque.

After that, I listened to all of Don't Break the Oath and it was great! I loved returning to the more aggressive style that was introduced on Melissa - and now perfected here!

So yeah, I just binged those three King Diamond classics in a couple of days and have not regretted one bit! The melodies and singing are stuck in my head, and I'm ready to explore some more King Diamond!

I've been listening to Mercyful Fate and King Diamond since the 90s. I loved the vocals instantly, they're over the top, but I loved them.

Time is what I do not have, but I will trying and listen a bit.

This album is truly a beast. I love how all the songs have a lot of twists and turns while still maintaining a excellent flow. There's a lot of hooks on this one as well, which I always appreciate.

I will have to put this on in the car today. I’ve tried in the past but I don’t really jive with KD’s vocal work.

Written by Boxcar Willy on 03.11.2023 at 13:33

I will have to put this on in the car today. I’ve tried in the past but I don’t really jive with KD’s vocal work.

His theatrical vocals are certainly a required taste, I personally like them, but I also hear many who haven't been able to take to him.